three brand new tracks from the mysterious arp 101! this is the producers second release on london based, but interstellarly connected, eglo records. his first release got the official dam funk stamp of approval, as well as gaining support from ramadanman, mary anne hobbs and falty dl. these three diverse productions, ooze with loose, low, funk, holding on to the bottom end whilst the clicks, pops and snares reach for the sky. stick em up!

och pops up on baby fords pal sl imprint after a solid debut on autoreplys offshoot stuga musik. although the producer behind the och pseudonym remains mysterious for now, his early productions have garnered support from such esteemed figures as ame, norman nodge, gerd janson, dj sneak and anthony shake shakir, and this latest 12 inch is, in our humble opinions, ochs best yet. the standout track here hogs the entirety of the a side, with >bombay bedbath< characterised by some beefy drums and a drowning, late night soul vocal which complements the rolling groove. flip over for two wonderful b side obscurites, namely the rich ambient textures of >interlude intuitive< and twinkling piano lines and moody atmospherics of >out of key in<.

the kat edit stable pops back up and throws a couple of biggies into the pot ... first up is conscious of my conscience, which shouldnt really need an intro whatsoever. an out and out all ends up classic and a track largely overlooked by the masses when first released on the album conscience back in 88. mr beedle makes this sound bigger than ever with some wicked but subtle extensions & tweaks along the way. on the flip we have time is running out. ashley beedle takes the stevie winwood original, strips it bollock naked and re-dresses this into a wonderful psyched-out disco funk soul rock odyssey masterpiece. over 10 minutes of pure balearic dancefloor goodness, pure n simple. big ! oh, and on a super loud 12 inch pressing..

swedens nima khak pops up on cari lekebushs h productions

every so often a new talent pops up out of nowhere and delivers something special which grabs everyones attention. so, for its 12th offering redux is very proud to present an exciting new artist with his first ever release and what a debut it is. christophe, known to his mum and dad as christopher rees is not only a dab hand in the studio but a talented graphic designer in the day and dj with the futureboogie crew at night. after playing a demo of >make a mark< to tristan one hazy morning in his hometown of bristol, the track was quickly snapped up by redux without haste. drenched in classic house sensibilities and showing astounding amounts of skill and taste for his first foray into the world of production, the future looks bright from this point on for christophe.

brett johnson returns with four quality southern fried cuts on the first installment of >things that go bump in the night<. keeping true to form bj comes out swinging on the a side with two mixes of >southern dandy<. a funky, tech injected bouncer that pops in all the right spots. and if those pops are too much for you then you have an ace of a dub mix to keep the things smooth. >sensual summations< is deep house burner designed to warm up the floor. again bjs calculated funky drums and hip flexin basslines spliced with a choral style synth stab and rise. quality house music from one of the genres true masters.

manchesters finest pops up on the superb undertones label with a quality ep. getting props from all over! only killers no fillers

belfasts deep house don scope having had tracks on labels like large, urban torque pops up with a fine release for nrk with the added bonus of poker flat maestro steve bug on the remix. sheer class!!

nice price deal !!! health warning: it pops. it crackles. it fizzes. its extremely infectious.

fresh off the new album here are 4 amazing remixes for the biggest tracks from das pops selftitled album: >never get enough<, >fool for love< & >underground<, remixed by goose, djedjotronic & busy p, aeroplane and van she.

kraken are rolling again, with their second release in as many weeks (check out krkn009), and its good to have the denmark based dons back! very little is known about a side artist and la resident jaybird, but im sure plenty of people will be on the hunt for info after this little number drops. absolutely relentless, crushing dubstep music, a refreshingly nasty little number reminiscent in atmosphere to one of krakens earliest releases eye of the demon by wolfman (jsl), this tune is currently tearing up clubs worldwide, with support from 2000f and notably featuring on hatcha & crazy ds kiss fm radio show, you re gunna love this one! legendary kraken artist jsl pops up on the flip with a brand new beat, kept relatively under wraps this one comes out of nowhere and smacks is straight round the chops like kimbo slice! act quickly on this one, it wont last.

this new collaboration between two of cadenzas finest talents makes its official debut on mobilee with black shoes, a cut that pops, crackles, and snaps like youd never believe. dance floor ready yet unwilling to sacrifice an explicit focus on the details, black shoes pulsates with bass while suggesting a kind of lightness as whispered and fragmented voices hiss and murmur in the background. the melodics, which give off the feel of being in constant flux, provide a nice contrast to the intensely regularized bass drum while simultaneously meshing with the popping percussion that guide the track along its course. breakdowns filled with the sounds of static and 8-bit provide a nice experimental touch to this track that works equally well as a late-night romp as it does on the headphones. b-side speech also gives off a stuttered feel but is even more blippy and fragmented than its counterpart while migrating towards a more jacking vibe. brito and toro compliment this fractured sound with extensive use of vocal samples—both spoken and sung—that, while incomprehensible, lock in seamlessly with the overall feel of the track. melody here references both vintage sounds and traditional minimalism with the end result being a fusion of the two that is truly extraordinary.

deetron pops in with two great remixes, turning the original into a stomping, screaming rework that gets just as epic. the believer mix is a 8 minutes epic featuring deetrons typical fusion of classic detroit techno with some crisp acid touches and corrina stunning vocals. the spring leaves mix shows a more soulful side with a deeper vibe, rhodes and rollin beats ! pitto, after his big feeling record, is back with a little help from joris voorn for a hot remix, using a killer bassline over a simple groove and tweaking the vocals for an effective game!

san franciscos loose shus is the sound of today. with pulsing synths, funky riffs and sharp beats, loose shus has helped define a new generation of disco pioneers. his live shows incorporate amazing video projections sampling 70s and 80s television clips running in sync to his music. he is part of urb magazines next 100 for 2009. loose shus will also be appearing on the >valerie and friends< compilation due out may 27th, compiled by the coveted french collective valerie. mixed by mark pistel, member of hercules and love affair, and meat beat manifesto, this ep pops with clarity and punch to get the dancefloor moving. plant music are also proud to have lisbons xinobi on remix duties for <threesome< and los angeles keenhouse on remix duties for >taurus<. xinobi has been quite the hyped producer this past year including working with moulinex and a series of high profile remixes.
>itÆs rocket ships meets neon hotpants, meets teased hair, meets lazer beams, meets the zodiac, meets a 1970s hotel lobby and throw in a light pink pearlescent vibrator.< -- freedanger.com
>tracks that work perfectly on nowadays parties< -- discodust

some notorious electronic music talents have started their careers as percussionists. and so did yaya, but his tale is different to all the rest. his new release for desolat takes a unique, upbeat approach to 4/4 beats: combining heartfelt benin influences - samples from dialogue and traditional ballads - with the stretched-out tension and release of balearic and the bubbling pops and stutters of tech house, plus the occasional kickback to a commodore64 high score melody. raised in turin, italy, rhythm was his lifeblood for yassin legali, also known as yaya, from an early age. his father was the lead vocalist and percussionist for mbamina, a band consisting of musicians from benin, zaire, italy and cameroon. mbamina released eight albums, collaborated with artists like manu dibango and salif keita, were sponsored by paco rabanne and played all over africa, including a show for the presidents of senegal and france. their final show was with james brown in paris in 1985 - the year yaya was born. well-versed in his fathers legacy, yaya grew up playing drums and djembe, and at the age of 15, began performing as a percussionist in turin clubs. just one year later, he was already djing, playing funk, soul, afrobeat, house and garage. manu dibango and fela kuti found a spot in his crate next to records by masters at work and dimitri from paris: contrasts of rhythm and structure that pervade his music to this very day.

early support by : adam beyer, d julz, kenny larkin, christian smith, anja schneider, josh wink, tiefschwarz, robert dietz, secret cinema, okain...
quartz music return with yet another roaring ep. this time from belgiums hermanez.
opening track hocus focus is a full spectrum. opening with its tribal drums, the addition of cascading techy sounds and then its techno stomp. the brutalness is appeased by the wonderful deep synths that fuse everything together.
next up is the more stripped, minimal sounds of served . a colder, more moody electronic feel to this one, it pops along, locked into a vicious groove. white noise builds create the drama throughout.
finally don t try this at home continues with the heavy tribal tide. rolling drums, a plethora of toms, and a bag full of spooky sounds and efx, make a strong set building track.

toms credits started wracking up and he moved to the world famous townhouse studios as an in-house engineer in 2005. by the time he left in 2008 he had worked on sessions for artists including mary j blige, muse, take that, estelle, lily allen, snow patrol and damon albarn to name a few. this is toms 1st single under his own name an superb piece of saturday night party housein hed kandi style a superb remix package has been put together by born 2 dance. kicking of with the legendary stonbridge who provides 2 superb peaktime versions that we are sure youll be hearing all summer.. radio 1s jaymo pops up with a tougher bass heavy version on the flipside with toms originally vocal rounding things off very nicely. simply irresistable

this young house label pops it s second release.. definate dancelfloor pressure...remixes from fcl (san soda + red d) + jus ed (underground quality).

second release for the april77 record label... our sound is fast and tough. we dig the clash, buzzcocks, the jam and all that mid 70s early punk stuff. the list could go on and on (lenny pops, singer of the red hearts.). the red hearts are a household name in the los angeles indie rock and punk scene. they are lead by lenny pops, who formed the band in 2004 after having played in the brian jonestown massacre. the guys have shared the stage with cult icons such as silver apples, the avengers, as well as playing with many of todays top bands including black lips and lords of altamont.

still a symbol of remembering traditions without forgetting progression, childhood friends newman and maanumental & chikaramanga continue their hip hop ride.

the pump ep is a typically genre-bending mixture of pumping, groovy house tracks, exploring the many sides of this highly regardedproducers fruitful repertoire. lead track the pump is a vivacious number that takes a clean, modern house aesthetic as a base and later infuses it with a dirtier, earlier morning vibe, with phoniques playful use of the resplendent chord stabs. its a slow burner indeed, and yet another example of his effortless arrangement talents. fancying a spot of fresh air and a trip into the audio countryside, bike ride is an even more playful journey into the kooky electronic world of phoniques studio outings. solid drums and warm sub bass provide the energy for all manner of pops and tweaks to unfold. its another deeper track but be warned it still has the power to lift a crowd up onto its tip-toes. going down more of a techno route, tooltime completes the package and breaks out the big guns for some serious heads down dancefloor ignition. urgent and tight late night action, not for the faint of heart, the tracks title is too modest - it should really read ‚ peak time

nice price deal !!! shake & pops 3rd outing comes from those lovely north londoners candy apple. they ve accumulated releases on morehouse records, susu recordings, endulge records, ny soul and many more. featured vocals on this track we have the deep and sultry vocals of anjou, who has appeared on several candy apple releases. with a support cast including inland kinghts, rhythm plate and sumsuch, its another classic shake & pop release.

giant panda has returned! giant pandas debut album, fly school reunion, dropped in 2005 and was received by unsuspecting ears that caught the raw sounds bursting forth.with their sophomore effort however, giant panda has evidently graduated. electric laser is the name of the game, and gp plays it well.

detroit flavoured tech traxx

vier coverversionen vom glamour-beauftragten justus köhncke. von iggy pops >nightclubbing< über mainstreet bis lou reed wirft kinky justice mit lametta nur so um sich

the legendary orlando voorn pops up with yet another peak time, melodic gem with all the trademark elements we ve come to expect from the man. as one of the first dutch musicians to establish a vital connection between detroit and amsterdam, orlando voorn has long been recognized as one of the netherlands most original and inventive producers in the world of electronic dance music

for fans of loco dice, mathew jonson, m_nus, ame, matthew dear, dimbiman, dan bell !!features 3 new unreleased songs from billy dalessandro (force-inc, force tracks, resopal, kompakt) brian ffar (gourmet, tic tac toe) & slutbox…. hot stuff! billy dalessandro known for his bumpy dancefloor productions and driving dj sets, he returns on his newly formed site holder label to lead us through a symphonic slice of minimized and maximized techno. an untouchable hit for the few djs that possess it, all three songs on the ep are tracks that deliver. with intoxicating slow-build introductions which all seem to rise to the perfect point, breaking over with deep sine shaped basslines and beats that kicks the night into the afternoon. the slutbox tune pops and pulses along a more minimal excursion with deep tones, deep bass and melodic key stabs which seem to lock together as the rhythm evolves, propelling a sketch of minimal movement to another, out-there dimension. yes, do believe the hype and look out for site holder

what the hell is that, high engery elektro punk. incl princess superstar remix srteigt tech elektro... i say love or hate

cool electro pop remake of iggy pops >passenger< , with fresh remixes by nitsch & gleinser, superflu, davis & may...

canadian pete hecher is well-known to funky/deep heads from his afterhours, aquarius & nordic trax releases. here he pops up on vista with a tight three-tracker featuring a loopy disco vibe on the a-side and the moroder-styled respect 2 giorgio and a smoothed-out metro area-styled groove on the flip.

cd+dvd edition, hardbook, hardback case packaging with sewn in booklet. celebrating 20 years since the release of neon nights

feat. icewear vezzo, yung lean, pusha t, g herbo, wiz khalifa, 42 dugg & landstrip..

for the past seven years kornel kovacs has been busy rocking dancefloors and boomboxes worldwide as one third of stockholms studio barnhus alongside axel boman and petter nordkvist. the label and dj trio is spearheading a new era of fearless swedish off-centre dance music, straddling the line between the cute and the menacing. anticipation for kovacs debut album has been rocketing following stand out releases like 2014s wistful szikra, last years mad party anthem pantalon on glasgows numbers imprint and the late night groove of space jam on smallville records. on the bells, kovacs pops open his trunk full of sounds nicked from the lost and found bins of nightclubs all over the world. from the distorted organ chords of bb to the stripped down trancehall beats of joseys tune and sziv utca and the title tracks cinematic romanticism, its all of the bells and all of the whistles - further positioning kornel kovacs as one of the most characteristic producers of modern house music. the record was completed in an intense two-week session with kovacs great friend and great studio engineer matt karmil in the cold winter of 2016. another close friend, artist malin gabriella nordin, has created the album artwork together with her brother jonas.

steve hauschildt and bnjmn did a great selection in new electronic, modern classical, noise and ambient.

terror danjahs second hyperdub album is dark crawler, a well paced and much more upfront and energetic journey through his musical world than his debut undeniable. the album revolves around the dark crawler theme, a blistering grime track that pops up several times vocaled by mcs riko dan, mayhem, deadly and saf one, and then lastly trim and kossie.

james nice label von ltm recordings hat sich hier auf wiederveršffentlichungen einiger stŸcke von factory artists wie zb.lawie the durutti column und a certain ratio konzentriert. mit dabei das offen gestimmte instrumental ãmadeleineÒ von durutti column.von a certain ratio, einer der factory-bands schlechthin, gibt es das white-funk-zu-breakdance-zeiten-stŸck ãwild partyÒ sowie einen sich Ÿber fast zehn minuten erstreckenden mix von ãknife slits waterÒ

dj cam ist zurueck mit seinem siebten album. die ep swim war der vorbote, dort zeigt chris james, der kopf von stateless, seine faehigkeiten am mikro. inspiriert ist er noch immer von jazz und hiphop, was ihn 1995 zu einem der pioniere der triphop-szene werden lie§. als einer der wichtigsten koepfe des -french touch- hat dj cam bisher sechs alben veroeffentlicht. er hat seine karriere im gleichen zeitraum wie daft punk, air, cassius oder bob sinclar begonnen. seine single summer in paris von 2002 mit anggun hat sich ueber eine millionen mal verkauft und bleibt ein wichtiger tune des pariser -dolce vita-. seven beinhaltet anteile gut gemachten pops sowie folk, anleihen von oldschool electronica und ambient - tunes mit einer sehr bildhaften atmosphaere. saenger chris james von stateless erinnert mit seinem gesang auf dem zweiten stueck swim an radiohead, einem der groe§ten einfluesse des albums.

gloss drop ist ein faszinierendes, hypnotisches album, das sich jeder kategorisierung & schneller analyse entzieht. der battles-sound vereint so unterschiedliche richtungen wie hardcore, tonaler minimalismus, neo-klassik, techno & post-rock. wŠhrend dance-acts wie chemical brothers oder massive attack regelmŠ§ig gastsŠnger einladen, sind battles der erste gro§e rock-act, der dies tut. ihre gŠsteliste ist beeindruckend: der pionier des dunklen synthie-pops gary numan im muskulšsen tribal-rhythmus, der chilenische techno-minimalist matias aguayo wird auf seine stimme reduziert, kult-indierockerin kazu makino (blonde redhead) mit zŸndendem dance-punk & yamantaka eye, messianischer dreadlocks-frontmann der japan-radikalkombo boredoms, betŠtigt sich als interstellarischer mc im schamanen-chant. es sind diese ŸberschŠumenden und unerwarteten momente, die battles von allen anderen zeitgenšssischen bands unterscheiden

madlib got a bit lost in his detour into jazz - madlib medicine shows 7 (high jazz) and 8 (advanced jazz). he was supposed to circle back with a punch-you-in-the-face return to hip-hop form - a collaborative album with detroit rapper frank nitti - but instead he found himself lost in the lost gates... a place where black soul (madlib medicine show 10) really means disco funk. sorry about that. the good news is: hes back. and that hip-hop album, for which the medicine show faithfully have been holding their tickets, is finally here. its called lowbudget high-fi music and its a interesting look back at the madlib medicine show and a prelude of what is to come in the 12th, 13th and Ð maybe Ð 9th releases in the series. all of the regular madlib collaborators Ð med, guilty simpson, strong arm steady Ð are represented here with exclusive tracks. karriem riggins pops in for a supreme team interlude, as does a.g. madlib digs out a jaylib-era track that was earmarked for the never-realized second album and, of course, interludes, outerludes and Ð probably Ð queludes abound. the madlib medicine show series is a combination of madlibs new hip-hop productions, remixes, beat tapes, and jazz, as well as mixtapes of funk, soul, brazilian, psych, jazz and other undefined forms of music from the beat...

dj egon von stones throw ist ein fan, und fŸr shan ryder von den happy mondays ist andy votel aus manchester >the most original dj ive heard since 1975<. der macher des labels finders keepers hat als produzent mit kŸnstlern wie badly drawn boy oder kŸrzlich gruff rhys gearbeitet. auf dieser mix-cd gibts nun weniger fuzz, dafŸr mehr fizz - 68 stŸcke obskuren, europaeischen library-elektro-pops in 72 minuten!

more trance, more love, more fun, more sex...you can get a hint at what is coming by checking out the two first singles the ballad of tom scraw remixed by the minimal goddess chloe and worst than love with remixes from losoul and gilbert and a juicy cover of iggy pops classic nightclubbing.in the meantime junesex is testing the new album live in france to great public acclaim many tried to sum it up: pop, minimal folk, electro funk, house, rock,acid love, chic sex, bodily fluids only one label fits: junessex!